Musée de L'Orangerie in Paris: A Peculiar Visit

While living in Paris, I felt very fortunate to visit the L’Orangerie many times.  I never got tired of going.  On one occasion, as I entered the first oval room beyond the entrance, I noticed something a bit peculiar.  The room was almost completely empty aside from four gentleman strategically standing at each entrance and exit,  and two in the middle along the perimeter of the oval.  They were all dressed in black suits and neatly coiffed with tight short hair cuts, sporting ear pieces.  I felt like I was walking onto a movie set, however, there were no cameras or lights.  In the center of the room was a very tall African America man with a women who appeared to be one of the curators of the museum. 

Claude Monet's "Water Lilies, Reflecions of Weeping Willows," ca. 1918, at the Metropolitan Museum of Art, New York. A study for the the grand paintings in the L'Orangerie in Paris

 The men in dark suits watched my every move.  Wherever I want their eyes followed me.  It felt rather creepy.  The tall African American gentleman looked familiar but I couldn’t place who he was.  I knew I had seen him before.  As he proceeded to the next room all the "suits"  surrounded him and staged themselves as before, in the second room.  I followed.  I sat on a bench in front of one the water lily paintings where I could also get a good look at the tall gentleman all the “suits"   seemed to be  protecting.  It finally dawned on me!  It was the former Attorney General of the Untied States Eric Holder, obviously being surrounded by US Secret Service Agents. However at the time he was “the” Attorney General under the Obama Administration.   This was almost ten years ago.  I’m not so sure they would even let other patrons in the same room with the Attorney General now.  The crowd was very light that day.  Myself and a handful of others aside from these very special guests were the only ones there.  They kept a very watchful eye on where we were all pointing our cameras!

Here is a short video to give you the idea of the space.  Forgive the quality this was taken on a small Sony camera pre cell phone!  It will sill still give you an idea of the scale of the paintings in this one room.  This video was shot on a different day than the one described above.  I wasn't taking the chance of getting my camera confiscated by the Secret Service!   

Mad Enchantment: Claude Monet & the Paintings of the Water Lilies

Today is the first post in a series on my blog about Claude Monet, Giverny and other French musings.

My favorite thing to receive as a  gift is a good book.  When I discovered Mad Enchantment: Claude Monet and the Paintings of the Water Lilies by Ross King, I couldn’t get it in on my Christmas list last year fast enough.  King is also noted for Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, and Michelangelo and the Pope’s Ceiling.  King’s books are extremely well researched and Mad Enchantment is no exception.  Focusing on the latter part of Monet’s life at Giverny, and his series of water lily paintings, including the “Grande Decoration”  that would be the large paintings eventually ending up at the Musée L’Orangerie in Paris, it delves into his obsession with creating such an enormous oeuvre  for an artist at his age.

I discovered several things from the book that I never knew before about Monet.  One is he would work on several canvases at once of the same scene while painting plein air.  Essentially,  they were a series of the same view captured at the moments in time before the light changed.  As he was working on one canvas and the light had changed too much, he would grab the next one and work on that one for a while and so on. Sometimes even working on one for only seven minutes.  It wasn’t uncommon for him to work in all weather conditions shuttling canvases back and forth and when he went on painting outings he was followed through the fields by his children and step children carrying canvases for five or six paintings of the same subject matter done at different times and with different lighting effects. 

Georges Clemenceau & Claude Monet_  Photo:  Wikimedia Commons

He had a deep and long lasting friendship with George Clemenceau, the French Prime Minister during World War I. Clemenceau’s fortitude during the war helped the French get through it. Being one of the original architects of the Treaty of Versailles, he was instrumental in the war ending and getting reparations for the French from Germany. Clemenceau and Monet corresponded religiously.  Clemenceau was a huge support mentally, emotionally and physically for Monet and his work.  

         Claude Monet in his studio with the "Grande Décoration"  _Photo: Wikimedia Commons

So it was right before World War I that Monet had the idea for the the larger than life canvases, he called “La Grande Décoration,”  the series of water lily paintings that are now one of the most highly visited series of paintings in Paris at the Musée L’Orangerie.  He painted them during the war while he was in his late seventies.   While the enemy was close, on several occasions with their attacks on Paris and it’s environs, Monet never contemplated leaving. He would rather parish at his home with his work if it came to that.  It was through his connections that he was able to garner favors for gas, so he could continue to use his cars, (he was a car collector), cigarettes, which he smoked like a fiend, and wine, which no French man can live without, during the war.  Plus, he was aided with transport  for  all  of the art supplies that he needed for his “Grande Décoration, " which would be coming from Paris.

Hotel Biron, Musée Rodin, Original Planned Location for an Annex for Monet's "Grande Décoration"  His Donation to the State of France_ Photo: Wikimedia Commons

After Rodin donated his entire collection of sculptures and paintings to the French Sate on the condition that his workshop, the Hotel Biron and his home outside of Paris become museums, the seed was planted in Monet’s mind that he could too be honored in such a way by donating his “Grande Décoration” to the State, if they agreed to build a venue or museum to his exact specifications to house and display the series.

Clemenceau was instrumental in getting the ball rolling and Monet started negotiations with the French State to make his gift a reality.  But it was not smooth sailing and resulted in several tumultuous  occurrences that everyone involved, including Clemenceau, wondered if it would ever come to fruition. Monet would tumble into fits of rage and depressions due to dissatisfaction with his work.  He was known to take a knife slashing and then burning hundreds of canvases, not only  the water lily works, but to those done  through the course of his life. One panel in the collection of the L'Orangerie had to be repaired from the swipe of a knife.  It is estimated that in his lifetime he destroyed more than five hundred canvases. 

Painting at the Musée Marmottan Monet, Paris, Done while Monet had Cataracts_ Photo: Wikimedia Commons

Another obstacle was Monet's health.  He wondered if his grand project would ever come to completion due to his failing eye sight due to cataracts.  He had multiple surgeries on his right eye, with long difficult recovery times, plus trial after trial of prescription glasses that never seemed to work for him.  Eventually he found the right lenses with a new scientific  discovery, an instrument made by Ziess, that could map the surface of his eyes to create a lens that would be the best that he could get.  Even those at first didn’t meet his satisfaction.  He barreled down the rabbit hole into another fit of depression.  After having surgery and multiple treatments on his right eye, his left eye was getting worse, and he refused to go through another bout of surgery, having suffered enough on those with the right eye.

                               L'Orangerie, Paris, France  Photo: Wikimedia Commons

As he was finally adapting to his new way of seeing, he continued to work on the large water lily panels and was working with the architect on the design of the space that would eventually be their home.  Originally it was planned as an addition to the Hotel Biron, Rodin’s museum.  But when the architect fell out of favor for not meeting Monet’s specifications a new one was hired along with a search for a new location.  It was then that the L’Orangerie, the former shelter during the winter for the orange trees of the Tuileries Gardens, during the time of the Third Republic, was considered.  It had also been used for dog and agricultural shows and expositions, and was also a place for lodging immobilized soldiers during the war.  Monet agreed to rennovating the L'Orangerie and the architect  began drawing up plans according to Monet’s wishes for two oval rooms and a skylight to light the works. 

Detail of a Section of a Water Lilly Panel in the L'Orangerie Showing an Unfinished Area_ Photo: copyright Kim Minichiello

Time was of the essence because the French State was in  an agreement with Monet and a date had been determined when Monet would hand over the work to be installed in the L’Orangerie around 1924.  As time was getting close, he made every excuse to not follow through and canceled the donation. An exasperated Clemenceau was distraught and didn’t want anything more to do with Monet, and the situation almost destroyed their friendship.  The underlying factor, on Monet’s part,  was that he not only felt dissatisfied with the work, and that it was such a part of his “essence” he couldn’t part with the paintings while he was still alive. Even today in one of the panels there is an unfinished area, as if Monet couldn’t come to terms with completing them. 

The Water Lilies Room in the L'Orangerie, Paris, France Photo:  Wikimedia Commons

After Monet died in 1926, the project finally came to fruition.  Clemenceau was instrumental in making sure all of  the details were addressed to open the L’Orangerie and dedicate the master works of his dear friend.  The date of the dedication in May of 1927, and the opening of the Musée Claude Monet a L’Orangerie des Tuileries opened to very little fanfare.  Clemenceau noticed that day that a sign for a dog show to take place at the same time in another part of the building was more prominent  then one announcing the inauguration for the Musée Claude Monet.  In fact art critics after his death didn’t hail him as a master artist. Because of the changing taste to more modern works at that time,  they claimed  the impressionists produced art that was essentially “fluff” and were postcards of niceties for American tastes. This, Monet’s  momentous, glorious gift to the French State and no one seemed to care. By the 1950’s the L’Orangerie was essentially deserted and in disrepair.  

It is hard to fathom what went on in the L’Orangerie after the dedication of the Claude Monet Museum in 1927 and how it became what it is today.  Stay tuned for Part Two of this blog post to find out, or grab a cup of tea, a comfy chair and a copy of Mad Enchantment: Claude Monet and the Painting of the Water Lilies.

Happy New Year and a New Painting

Parisian Peacock

$3,500.00

Watercolor on Archival Handmade Paper, Framed

29" x 22," (74 cm x 56 cm)

Framed Size 37" x 30"

FILA Group and Tom Jones Award at the 46th Annual Florida Watercolor Society Exhibition, Coral Springs Museum of Art, Coral Springs, Florida

Best in Show, SoBo Gallery, "Top Choice" Exhibition, Winter Garden, FL

Juried into the 2016 Louisiana Watercolor Society's International Exhibition, Place St. Charles, New Orleans

International Watercolor Masters, top 100

This beautiful gate is featured in the Museé des Arts Décoratifs near the Louvre. I combined my love of art nouveau, art deco and the Japonisme movement in Paris, when the French loved all things Japanese in the late 19th and early 20th centuries, as a backdrop to the gate.

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Wishing everyone a Happy New Year and hope it will be filled with peace, joy, prosperity and good health!  I'm an organizer and a planner so I do set goals each year,  I need to be a bit better about referring back to them occasionally, but I also don't beat myself up about not achieving some of them!  Last year my goals were to improve as an artists by going to a Life Drawing session once a week and doing more plein air sketching and painting from life, which I did throughout the entire year.  I will have to say, it has made a big improvement, in my drawing and observation skills, and I feel my studio work is all the better for it!  I also was determined to read more, not just on a device or computer but actual books, I built that into my daily routine reading with a cup of tea every morning before I get on with the day.  These are things I will definitely carry into this year because they have become  habits in my life that I thoroughly enjoy!

I also have a goal  every year to paint more and try a new challenges within my painting practice, maybe try new subject matters, or try different materials and techniques.  So to start off the year, I'm doing Leslie Saeta's 30 Paintings in 30 Days Challenge this month.  My goal by doing the challenge is to create some smaller pieces I would like to exhibit for a show I'm doing in February, (more on that in a future post,) as well as finish a larger work.  I know going into it based on my painting style, I won't be able to paint 30 paintings by January 31!  But I will paint as much as I can!  A few other goals are to teach more workshops and create some videos this year, to share studio tips, works in progress and whatever else might be interesting.

The first painting I'm sharing  is my newest larger work, "Parisian Peacock."  This painting is inspired by a museum visit when I lived in Paris.  This beautiful gate is featured in the Museé des Arts Décoratifs near the Louvre.  I've been wanting to add this one to my gate series for a while!  I combined my love of art nouveau, art deco and the Japonisme movement in Paris, when the French loved all things Japanese in the late 19th and early 20th centuries, as a backdrop to the gate.  I was also thinking about artist Jesse Arms Botke while I was painting this.  A California Impressionist and early California Art Club member, known for her decorative paintings often featuring birds and the use of gold leaf.  There is an incredible mural done by her that was salvaged from The Oaks Hotel,  and is now featured in the Irvine Museum in Irvine CA.

So here's to a great 2016, Happy New Year and Happy Painting! I would love to hear what some of your goals are for the year.  Feel free to share by making a comment on this post.

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I'm Back & A New Painting

I can't believe it's been a month since I've posted!  It has been a whirlwind few weeks with some sad times and happy ones. We have been planning a trip to Europe since last year and the time had finally come.  We set off the beginning of June and spent a few days in London to research graduate schools for my daughter. London isn't complete with out a visit to a few favorite places including the National Gallery and the Courtauld Gallery at Somerset House,  and at least in our family, we can’t be in London without seeing a show in the West End.  Imelda Staunton was amazing in a revival of Gypsy, playing Rose.

Then it was off on the Eurostar to Paris. (Every time I’m on a train in Europe,  I can’t help but get annoyed that we don’t have a system like it in the US!)  We spent a few days in Paris at a hotel in the area where we used to live, going to our old haunts; restaurants, boulangeries, museums, etc., reminiscing about our time living there.

The next leg of the journey we split up.  My daughter stayed with dear friends in Paris, whom we hadn’t seen in five years.  She had a great time with one of her best friends she went to school with there.  My husband and I headed to Provence to celebrate a milestone wedding anniversary, 25!  We relaxed, ate, drank rosé, painted in our watercolor sketch books,  toured the gorgeous country side, drank rosé, had the amazing opportunity to see Cezanne’s studio and drank rosé. You get the picture while in Provence you must partake of the amazing wine that is made there.

On a sad note, my dad who has been suffering a long battle with COPD passed away the weekend before we left.  I was so happy I was able to go to Indiana and see him and spend time with him before he left this life for a better one where he is not suffering anymore.

Therefore the month has been bitter-sweet full of happy times and sad ones too.

I painted this painting “La Fille de Lavirotte” before we left and made the point to visit the beautiful art nouveau building while in Paris that it was inspired by.  I adore art nouveau architecture and this last trip once again, I did my own self guided tour to visit those in Paris that I love.

My painting is inspired by the female figure on the top left.

This address is 29 ave Rapp in the 7th arrondissement designed by architect Jules Lavirotte and built in 1901.  One of 9 buildings still in Paris today, it is beautifully adorned with glazed earthenware and has a somewhat of an erotic door.  I’ll let you figure it out from my photo. :-)  Just google images for 29 ave Rapp Paris and you will see a plethora of photos of this amazing building.

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Day 5 of the Three Paintings in Five Days Facebook Challenge

Paris Passy Gate

$2,500.00

Watercolor on Archival Handmade Paper, Framed

22" x 19," (56 cm x 48 cm)

Framed Size 30.35" x 27.5," price includes frame

Accepted into the 2015 Pennsylvania International Exhibition at The Carlisle Arts Learning Center

Inspired by the Passy area where I lived in Paris. For more information please visit my blog by clicking here.

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The final day of the 3 in 5 challenge, I cheated a bit and posted 4 paintings.  My art and design roots go back to environmental design and architecture. When working with Walt Disney Imagineering, we traveled if necessary to do research to make the environments we were designing as authentic as possible. When on our photo safaris I always tended to hone in on the details. Now I seem to be doing the same thing in my painting!

Mayan Gate

$1,500.00

Watercolor, Framed

14.5” x 21.5,” (37 cm x 54.5 cm)

Framed Size 21.5" x 28.5," price includes frame

Selected for the Louisiana Watercolor Society 44th International Juried Exhibition 2014

Selected for theFlorida Watercolor Society's On Line Exhibition, 2014

Selected for Pennsylvania Watercolor Society's 34th Annual Juried International Competition, 2013

Selected for the Annual Central Florida Watercolor Society Exhibition 2013 at the Terrace Gallery, City Hall, Orlando Florida

This painting was inspired by the wonderful Mayan Revival Architecture at the Maitland Art Center, Maitland Florida, designed by J. Andre Smith. 

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These four, paintings are part of my gate series.  Paris Passy Gate and  Gate of Reverence were inspired by gates in the area of Paris where I lived.  Mayan Gate is from the Mayan Revival Style, Maitland Art Center here in Florida, and  French Quarter Gate, inspired by a gate in New Orleans. 

French Quarter Gate

$35.00

Price Includes Shipping

Limited Edition Archival Giclée Print Signed and Numbered, Edition of 300

Original painting is SOLD.

Image Size:  6” x 6,” (15 cm x 15 cm)

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Day 2 of the Three Painting in Five Days Facebook Challenge

DAY 2 of the 3 paintings in 5 days challenge…I postedthree watercolor sketches from my travel journals. I use two sizes of books 8 x 6 and a 10 x 7, one brush, sometimes two, a large round and a flat,  and a small Windsor & Newton travel palette. If you want to know more about my sketching set up you can read a previous post here. Keeping these journals resulted in my passion and path to painting in watercolor!  These mean more to me than any photo I have taken and looking through them occasionally brings back so many fond memories.

Chedi Beach, Phuket Thailand, Watercolor Sketch

Angkor Wat, Siem Reap, Cambodia, Watercolor Sketch

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Watercolor Sketch Claude Monet's Home in Giverny, France

I have had the wonderful opportunity to live in Paris on three separate occasions and have traveled there a number of times.  A great advantage to living there is to visitmy favorite museums on many occasions.  I loved running intothe Musée D’Orsay just to study and focus on one particular artist or area.  I could really savor the moments there and not feel rushed as if it may be my last visit ever or for a long time.

Another place I visited on multiple occasions is Claude Monet’s home in Giverny.  This place is so magical to me.  It constantly changes andis never the same on each visit.  I have been there in every season, except winter, when it’s closed.  One fall day in October, it might as well have been winter, I froze my keister.  However even in the coldwith the garden declining it’s wonderful.

This sketch was done in the spring.  I took a dear artist friend visiting from Indiana there and we toured the gardens and sketched.  Every time I look at this sketch I think of her and the fond memories of her visit.  That’s what I love about sketching.  For me it captures way more of a feeling of the time and place then a photo ever could.

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Opening Reception for "Pick Your Passion" 127 SoBo Gallery, Winter Garden, Florida

It was a great opening reception last Thursday, well attended by about 100 people. Thanks to everyone who came and supported the gallery and me!  It has been very exciting and an honor to be featured, and especially to see my larger watercolor paintings framed and hung together!

I will also also be doing a workshop at the gallery October 16 & 17.  Teaching is something I have been interested in doing for quite some time and I'm really looking forward to it!  The workshop is called "Bold & Dynamic Watercolor."  I plan to talk about my techniques for creating my work as all as some general information about watercolor in general: papers, brushes, pigments, and ratio of pigment to water.  I will also cover how I go about designing my paintings, touching on design and composition. I welcome beginners and intermediate painters.   If you are interested click here for more information and here to sign up at the Winter Garden Art Association's web site.  If you don't live in the area, and would like to come, there is a quaint bed and breakfast inn, The Historic Edgewater Hotel, right downtown.  The hotel and the gallery are in the heart of the historic district of Winter Garden.

After all the excitement from the show, I have made some progress on the painting I am doing for Hope City Orlando to benefit victims of human trafficking.  I will post some more work in progress photos this week and maybe even the finished painting!

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Gate of Reverence

I had to sit with this one a while in my studio before deciding if it was finished. I thought it was until I photographed and looked at it on my monitor.  I noticed a few more things that needed to be tweaked.  This is a great way to analyze a painting from a different perspective.  After a few more hours of noodling I think it is finally finished.

This new painting is the second painting I've done that was  inspired by a photo I took in the Passy area of Paris.  When I’m wondering around shooting reference photos I’m often struck by something that speaks to me as a strong interesting design. It could be what I’m observing has a very graphic quality, or a cast shadow on an object that creates an interesting pattern.    When I came across this gate with a stained glass window juxtaposed behind it, I knew I would eventually paint it.

First, I was immediately attracted to the design of the gate.  I thought I might change the composition completely and paint something else in the background.  However, the more I studied the photo the angel image in the stained glass started to speak to me as well.  I modified the position of the image and the gate from the photo to create a better composition. I also like how the lighter values in the painting are in the background. Painting a stained glass window, something that is more graphic, made me paint a bit tighter than I normally paint, which was a nice challenge.  I also incorporated metal leaf in the halo on the angel. If you look at the work in progress photos you can see where I intended for it to be but didn't add it until I put on the finishing touches.

Like Paris Passy Gate, this reminds me of the time I lived in Paris and a fond friend that lived near this gate.

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"Gate of Reverence" More Work in Progress

After Clowning Around, (no pun intended), my latest painting, I'm back to working on Gate of Reverence.  I'm in the detail and value phase now.  Since my last post, I have added more detail to the central figure.  I've also tweaked the dark background on the sides just a bit.  I thought the darks were too uniform so I went in with some pure water washes to do some lifting of pigment at the same time adding some washes of color to bring out a green tone in the dark background to tie in with the gate.

Next I will be adding more detail.  This is depicting a stained glass window in the background, so I will be painting in the lead lines, maybe adjusting value a bit more and working on some hard and soft edges.  This one has been a challenge for me, because I'm painting a bit tighter than I normally paint,  but still painting representational and trying to  avoid a photo realistic interpretation.  Hopefully I'm achieving this goal!

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