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Kim Minichiello

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Artist ⦁ Designer ⦁ Traveler ⦁ Mentor

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Kim Minichiello

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    • Bio
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    • Exhibitions
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    • Studio & Plein Air Paintings
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Visit to Twinrocker Watercolor Paper Factory

October 31, 2014 Kim Minichiello
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It’s amazing in life how some things come full circle.  I was recently back home again in Indiana, (pun intended), and was so excited to make a trip to Twinrocker Paper in Brookston, Indiana.  Brookston is about a half hour drive from where I grew up, and I passed the turn off to go there every time I made a trip home from Purdue during my college days.  Little did I know that years later I would become a watercolor artist and fall in love with the watercolor paper they make! A couple of years ago my mom and I visited the studio of Terry Armstrong, an Indiana artist who lives in Warsaw.  He told us about Twinrocker, which he uses for his work.   The next day we drove to Brookston, and bought some watercolor paper.  If you buy $100 worth they offer free shipping!  I had never heard of this amazing company until Terry had mentioned it,  and couldn’t believe all these years I was so close and had never been there!  I took a chance that I would like it, invested in $100 worth and had it sent to me here in Florida.

Sales Room at Twinrocker Paper

Sales Room at Twinrocker Paper

Once I started using it was I ever glad I took the chance.  I have experimented with it and used it the last couple of years and if I prefer a certain look for a painting, I use Twinrocker. My painting Mayan Gate was done on the Twinrocker cold press and has been juried into four shows, two of them were International Exhibitions.

Mayan Gate Watercolor on Twinrocker Paper, Cold Press

Mayan Gate Watercolor on Twinrocker Paper, Cold Press

Since Kathryn and Howard Clark founded Twinrocker in 1971 they have been making handmade paper in the European tradition, for stationary, book arts and watercolor.  Kathryn has sinceretired, and nowTravis Becker isthe current owner and master paper maker. He started working with the Clarks when he was 19. I highly encourage you to visit their web site to read the fascinating history behind how the Clarks started making paper.

Travis Becker, Owner Twinrocker Paper & Master Papermaker

Travis Becker, Owner Twinrocker Paper & Master Papermaker

On my visit I met with Travis and he showed me around a bit.  This is a small facility with 4 employees:  Gail is the Office Manager, Fran, Customer Service,  Travis, Owner & Master Papermaker, and Gerald, Papermaker.   Travis and Gerald make all the paper molded and finished, entirely by hand using pre consumer waste cotton from United States manufacturers.

Gerald molding envelopes.

Gerald molding envelopes.

Vat of Pulp

Vat of Pulp

The day I was there Gerald was molding envelopes and Travis was going through a stack of watercolor paper about 6 inches high that had been molded and  run through the press.  Each sheet was layered between felt and after its run through the press it is removed from the felt, inspected for imperfections and stacked to dry before it can be gelatin sized.

Travis inspecting each sheet and removing any imperfections.

Travis inspecting each sheet and removing any imperfections.

Each watercolor sheet is then gelatin sized by hand. Once they have a large quaintly of paper made they will spend a day or two doing nothing but sizing.   The sheet goes through the sizing, maintained at a constant temperature, one at a time, and then Gerald and Travis rub each sheet, both sides, by hand, to smooth out the sizing and remove air bubbles. This is critical if there are any air pockets where the sizing isn’t adhered to thepaper it will show once paint is put to paper.  I was in awe of this whole process.  I am so appreciative that there are still craftsman like Travis and Gerald that are producing a product like this that is more than special.

Twinrocker Press

Twinrocker Press

Every time I start a painting on Twinrocker I feel a reverence toward it before I put brush to paper.  I feel even more so now after visiting and seeing how much care and attention is put into each sheet.  What boggles my mind in addition to the process and care of production, is the science that goes into creating the different weights and surface textures.  They offer hot press, cold press, and rough surfaces, and different weights or more accurately for them thicknesses.  Since the paper is handmade it can vary slightly in thickness from sheet to sheet.  Therefore they don't describe their paper in weight like the other watercolor paper companies, but by the thickness per sheet measured by a micro meter, to arrive at a thousands of an inch thickness and is assigned a letter code.  All of this is described on their web site.  HA which stands for heavy art weight (HA) is roughly a 250lb./460g/m2 paper.

Pulp Prep Room

Pulp Prep Room

Twinrocker has been available by two major retailers, but Travis told me starting next year they will only be selling paper through their web site. The reason being,  It hasn’t been fair to Twinrocker to give the retailers a big discount, they have done little or no marketing or promotion for them, in exchange for the discount,  and then sell the paper cheaper per sheet than what Twinrocker sells it for directly from their site, essentially undercutting Twinrocker on price.

Because it is handmade, it is more expensive than some papers.  It retails at $14 per sheet.  This is only $2 more retail  than a sheet of 300 lb Arches, which I use as well, but in my opinion is so worth it.  If you paint in watercolor, I encourage you to try this paper!  It has been mostly by word of mouth that this watercolor paper has endured in the market place since 1971.  Not only will you be painting on one of the most beautiful papers made today, you will be supporting, a small independent company, with just 4 employees, two of them master craftsmen that are carrying on a tradition that could become a lost art if they weren't doing it.  And to top it all off, it’s entirely made in the USA!  No other watercolor paper on the market today has that distinction!

Paris Passy Gate, Watercolor on Twinrocker Rough

Paris Passy Gate, Watercolor on Twinrocker Rough

I want to thank Travis for taking the time to show me around and it’s my privilege to spread the word about Twinrocker. This is some what self serving,  I love this paper so much I want them to be successful and keep making it!

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Gate of Reverence, Watercolor on Twinrocker Cold Press

A Side Note:  Recently at the Florida Watercolor society convention, I came acrossa new paper on the market, Fluid 100 which claims to be made in the USA.  However, I was told by the representative at the show selling the paper, that it is actually made in Europe but finished in the USA.  Because the last step of production is in the United Sates, they can put made in the USA on the product.  However, it’s not entirely true.


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In Art Materials, Interviews, Tips for Artists, Watercolor Paintings Tags Tips for Artists, Watercolor, twinrocker
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The World of Watercolor Competition

October 22, 2014 Kim Minichiello
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Was thrilled to get the catalogue of the Art of Watercolor Magazine's World of Watercolor Competition Catalogue.  Congratulations to the twenty seven artists who made it all the way to the exhibition, in Narbonne, France.  There were over a thousand entries from eighty two different countries.

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So honored to be included in the catalogue with so many talented artists from around the world!


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In Exhibitions, Press, Watercolor Paintings Tags Exhibition, Watercolor
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Bold & Dynamic Workshop at the 127 SoBo Gallery

October 20, 2014 Kim Minichiello
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Last Thursday and Friday I taught a watercolor workshop at the Winter Garden Art Association's 127 SoBo Gallery and  had blast!  I had a small intimate group and they couldn't have been nicer.  It was such a joy to spend the two days with them!

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I covered my 5 step painting process, starting off the first day with a slide presentation discussing the importance of  design and composition and how I go about planning a painting.  I discussed the difference and nuances of the many materials available for watercolor, papers, paints, brushes, and various accessories, plus tips I've learned over the years.

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I had them start exercises drawing and painting pears to get them used to how I mix color on my palette and the viscosity of the paint and water to get lots of bold color onto the paper, as well as the techniques of painting wet into wet, wet onto dry paper and the combination of the two. More variety mixed on the palette leads to more variety and excitement on the paper.  This lead into the second day, painting the bromeliad, covering value, tones, warm vs. cool, and the final phase of analyzing and adjusting your painting to push and pull values and defining form for a more three-dimensional appearance.

I can't thank my students enough for making the experience so much fun, everyone had a great time and based on all of the kind compliments received, I will continue to offer more workshops in the future, so stay tuned!

A not so happy note at the end of the day for one of my students.... She was so excited after the workshop she spent more time at home that evening continuing to work on her painting.  Her dog really liked her painting too,  the taste that is!  This is what she woke up to the next morning.  He literally "ate her homework!"  I guess she will get even more practice painting another one!  I was looking sooooo good too!

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In Florida, Tips for Artists, Watercolor Paintings, Workshops Tags Watercolor, Workshops
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Odd Man Out Accepted to The Kansas Watercolor Society National Exhibition

October 15, 2014 Kim Minichiello
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My painting Odd Man Out has been selected for the 2014 Kansas Watercolor Society's National Exhibition at The Wichita Center For The Arts.  I'm so honored to be in this show. Thank you to juror Thomas Schaller, whose work I greatly admire, for choosing this piece.

I have such a connection to this painting inspired by a plein air sketch I did on Peel Street in Hong Kong.  Some of my happiest moments were sketching, painting and exploring that city and for me it's even more poignant that this piece was chosen for this show with all the political unrest that's happening in Hong Kong right now.

For all my artists friends out there who enter competitive shows, DON'T GIVE UP! The selection process for any show can be very selective and can be greatly influenced by the taste of the judge.  This painting has been rejected from two regional shows, only to be accepted into this national show!  A painting isn't bad, or you are not a terrible artist because a work is declined for a show.  I look at it as a golden opportunity for it to be available somewhere else.  If this painting had been juried into a current regional show, I would not have been able to enter it for the Kansas show!


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In Asian, Exhibitions, Hong Kong, Tips for Artists, Travel, Watercolor Paintings Tags Asian, Exhibition, Hong Kong, Travel, Watercolor
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Bold & Dynamic Watercolor Workshop, October 16 & 17

October 7, 2014 Kim Minichiello
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Star Struck
$500.00

Watercolor 

Mounted on Archival Board with 2" Wood Edge

12" x 12" x 2,"  (30.5 cm x 30.5 cm x 5cm)

Accepted into the 2015 Women Painters of the Southeast Annual Exhibition at the Blue Ridge Arts Association, Blue Ridge, Georgia

Inspired by the light and cast shadows on a bromeliad. 

Email me for purchase information.

The last few weeks I have been preparing for a workshop I will be teaching at the 127 SoBo Gallery in Winter Garden, Florida, with the Winter Garden Art Association.  There are still spots available!  It is open to artists of all levels.  I will be discussing how I approach my paintings focusing on strong design, composition, and the bold use of color. We will be doing a number of painting exercises, to get the feel of different ways to paint in watercolor, and I will discuss the nuances of different brushes, papers and pigments. I will demonstrate my painting Star Struck which students will paint in the workshop.  

This is a 2 day workshop October 16 & 17 9:00 am to 4:00 pm.   The Historic Downtown  Winter Garden is so lovely and if you are not from the area and would like to stay over, there is a quaint older historic hotel, The Historic Edgewater Hotel, right near the workshop venue! In its hey day Winter Garden was major travel destination by train for recreational activities on Lake Apopka as well as having a booming citrus industry.  At one point it was the largest shipping point in the world for citrus.  Now it's home to a city that is preserving and honoring it's heritage, a number of well-known restaurants, a theatre with live productions throughout the year and now, an active art gallery!

See Upcoming Workshops

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In Florida, Tips for Artists, Watercolor Paintings, Workshops Tags Floral, Florida, Tips for Artists, Watercolor
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Good News

October 6, 2014 Kim Minichiello
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It's been a busy few weeks.  Where on earth did September go!  I'm finally feeling a bit caught up from having been gone in September moving my daughter back to college and attending the Florida Watercolor Society convention.  I was not able to attend the "An Affair of the Art," Disney Ryman Show out in Los Angeles, as it was going on the same time as the convention.  However, my husband who was out there on business was able to go!  He sent me  photo updates throughout  the evening and I was so happy to learn that "Balinese Lotus," sold!

I also had a painting Do You do Voodoo in the current exhibition, "The Edge of Night, " at the 127 SoBo Gallery and it sold at the opening reception last Thursday!

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Do You Do Voodoo
$35.00

Price Includes Shipping

Limited Edition Archival Giclée Print Signed and Numbered, Edition of 300

Original painting is SOLD.

Image Size:  6” x 6,” (15 cm x 15 cm)

I hope everyone is having a nice fall season.  We finally got some cool weather here in Florida last Sunday, so I have a bit of a pep in my step!


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In Disney, Exhibitions, Watercolor Paintings Tags Exhibition, Ryman Arts, Watercolor
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Do You Do Voodoo

September 30, 2014 Kim Minichiello
Do-You-Do-Voo-Do-coprt.jpg
Do You Do Voodoo
$35.00

Price Includes Shipping

Limited Edition Archival Giclée Print Signed and Numbered, Edition of 300

Original painting is SOLD.

Image Size:  6” x 6,” (15 cm x 15 cm)

Last spring when I attended the reception for the 44th Annual International Louisiana WatercolorExhibition at the Garden District Gallery in New Orleans.  I spent the weekend doing a self guided tour of the city.  While wandering around the French Quarter I happened upon the tiny, quaint Voodoo Museum.  It was so much fun, such a learning experience and a stroke of good luck, avoiding a downpour!

Upon entering the museum I was greeted by the proprietor, Voodoo Priest,  with his baby pet boa constrictor around his neck leisurely petting it while checking guests in.  The museum is a small, few room space, with more of a home-made display vibe, but very interesting nonetheless.  I was enamored with all the accoutrementused for altar displays, and the offerings of money, Mardi Gras beads and a plethora of objects!

I was also fascinated to learn that the voodoo doll was originally used by doctors as their record keeping device for theirpatients.  They would mark the doll with pins to remember one’s ailments and record treatments that were given.  Not sure how it morphed into a curse device from there.

This paining, Do You Do Voodoowas inspired by my visit there.  It will be available during the October Exhibition, “The Edge of Night,”  at the 127 SoBo Gallery in Winter Garden, Florida.


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In Exhibitions, Museums, Travel, Watercolor Paintings Tags Exhibition, Travel, Watercolor
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The Florida Watercolor Society Convention & Myrna Wacknov Workshop

September 23, 2014 Kim Minichiello
Myrna Wacknov showing us her work on Yupo.

Myrna Wacknov showing us her work on Yupo.

It’s been a busy few weeks!  We moved our daughter back to college and the day after I drove to South Florida for the Florida Watercolor Society Convention.  This three day event is one of the highlights of my whole year.  If you would like to know more about the convention you can read last year’s post here.  Aside from the wonderful demo’s, done by some of the most talented artists working in watercolor today, and the Trade Show where great deals on supplies are always to be had, which can be a bit dangerous, the highlight is always seeing friends and meeting new ones!

This year I also took a workshop with one of the two instructors that are invited to do a four day workshop prior to the convention.  One of the instructors is the judge for the annual exhibition, this years judge was Frank Webb.  He is a Dolphin Fellow of AWS, American Watercolor Society, and turned 90 last week!  The other instructor was Myrna Wacknov.  I have followed Myrna’s blog for a number of years and admire and appreciate her style and techniques, many of which are considered “out of the box” for traditional watercolorists.  That is what I love about her work, I like the “there are no rules” in watercolor approach.

Notan selfie created on my iPad

Notan selfie created on my iPad

We started the week by learning about some apps that can be used on the iPad to manipulate photos, to use for reference photos for our paintings.  The main one was Photoshop Touch, which is essentially a scaled down version of Photoshop you can use on a digital device.  I often use Photoshop on the computer to design and compose paintings, which I then paintfrom on my iPad.  I like knowing now that I can do some things directly on the iPad.

We took selfies and the manipulated the photos in Photoshop Touch to create a Notan and some grey scale images which were used as the reference for the three paintings we did, focusing on shape, line, and value.

Collaging over painting done in life drawing session.  Sorry Stephanie!

Collaging over painting done in life drawing session.  Sorry Stephanie!

Selfie over mid tone collage background.

Selfie over mid tone collage background.

The first painting was done by creating collage papers in a plethora of ways to use as a mid tone valued background for the selfie (self portrait) on top.  I could see where this collage paper making could become an addiction!  I don’t do much figurative work other than life drawing once a week.  So between that and all the other surfaces we created to paint on, I was way beyond my comfort level, but it was a blast!

Selfie on Yupo

Selfie on Yupo

The second painting was done on Yupo which is a synthetic paper.  I had never used this before and can take some getting used to.  I’m not a convert, but could see painting on this occasionally and experimenting with it a bit more.  I think artists that like hot press paper like this surface, the paint stays and sloshes around on the top and doesn’t really soak into the paper. I’m a cold press kinda gal.  A few artists that I feel are very successful with Yupo are Julie Ford Oliver, Helen Beacham, Taylor Ikin and Carol Ann Sherman.

Selfie done on textured gesso surface over ink drawing.

Selfie done on textured gesso surface over ink drawing.

The third painting was done by creating a textured Gesso surface to paint on, and then using line by emphasizing the face with a line drawing with ink before painting.  It was funny with all the supplies I packed for this workshop, I felt I was bringingmost of my studio, I didn’t bring a quill pen or an oiler boiler (plastic bottle with a fine needle tip)  to draw with.  I improvised by using a black Prismacolor Pencil and dipped it into my ink bottle like a crow quill pen.  Thisone ended up being a sort of stylized version of me.

The two paintings aside from the Yupo were done on older watercolors, sketches from life drawings or dogs from the drawer.  With these techniques you would never throw away old paintings or paper, but would recycle them into new work! One of the many, take aways I got from this workshop.  With the limited amount of time to do so many things, I don’t feel these are quite finished but are good starts that still need some tweaking.  This was my first attempt at doing self portraiture so overall I’m pretty pleased with the likeness!  If you ever have a chance to take a workshop with Myrna don’t miss it.  She is a wonderful, engaging teacher and you learn things that go beyond the ordinary in watercolor that may take your work to a new level.

Myrna's demonstrations from the workshop:

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Myrnas-Yupo-2.jpg
Myrnas-Collage.jpg Myrnas-Line.jpg Myrnas-Yupo-1.jpg Myrnas-Yupo-2.jpg

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In Artists & Designers, Artists That Inspire, Demo, Florida, Tips for Artists, Works in Progress Tags Florida Watercolor Society, Other Artists & Designers, Tips for Artists, Watercolor
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Watercolor Sketch Claude Monet's Home in Giverny, France

September 8, 2014 Kim Minichiello
Watercolor Sketch on Handmade Paper

Watercolor Sketch on Handmade Paper

I have had the wonderful opportunity to live in Paris on three separate occasions and have traveled there a number of times.  A great advantage to living there is to visitmy favorite museums on many occasions.  I loved running intothe Musée D’Orsay just to study and focus on one particular artist or area.  I could really savor the moments there and not feel rushed as if it may be my last visit ever or for a long time.

Another place I visited on multiple occasions is Claude Monet’s home in Giverny.  This place is so magical to me.  It constantly changes andis never the same on each visit.  I have been there in every season, except winter, when it’s closed.  One fall day in October, it might as well have been winter, I froze my keister.  However even in the coldwith the garden declining it’s wonderful.

This sketch was done in the spring.  I took a dear artist friend visiting from Indiana there and we toured the gardens and sketched.  Every time I look at this sketch I think of her and the fond memories of her visit.  That’s what I love about sketching.  For me it captures way more of a feeling of the time and place then a photo ever could.

See more travel sketches

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In France, Paris, Plein Air, Travel, Watercolor Sketch Tags France, Plein Air, Travel, Watercolor Sketch
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Disney/Ryman An Affair of the Art

September 2, 2014 Kim Minichiello
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I just shipped three paintings that will be part of "An Affair of the Art" Exhibition to benefit Ryman Arts on Saturday, September 20th.  I'm thrilled to be invited to be in the show again this year at the lovely home and garden in the Hollywood Hills,  of Marty Sklar  the retired head of Walt Disney Imagineering.  This years theme is "Under the Big Top," and will feature a Patron Special Presentation of rare film footage of the Ringling Bros. and Barnum & Bailey circus, the years Herbert Ryman sketched and painted when they traveled to small towns through out the  United States.  Including the time when C.B. DeMille studied sites for the Academy Award Winning film, "The Greatest Show on Earth,"  which was filmed in Sarasota, Florida.

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f you would like to learn more about this event and this wonderful cause you can click here to read my post from last year's show, and here to visit the Ryman Arts web site and to purchase tickets.  Many Disney artists and artists from the Los Angeles are invited to exhibit in the show.   You can also preview the art in the show by clicking here.

Reward, Watercolor on Archival Paper, 6" x 6", 15 cm x 15 cm

Reward, Watercolor on Archival Paper, 6" x 6", 15 cm x 15 cm


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In Disney, Exhibitions, For a Good Cause, Watercolor Paintings Tags Exhibition, Ryman Arts, Watercolor, disney/ryman an affair of the art
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